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Emulator I : Overview
 The Emulator Dawn The original Emulator was developed as a complete change in direction by the
analog modular synthesizer company, E-mu Systems. The initial idea came about after the E-mu team saw the first Fairlight Computer Musical Instrument (CMI) at the AES show in 1980. Development of a cheaper
competitor version to the famous Fairlight started in May 1980, and the Emulator was released into full production in January 1981.
Slow Sales By the end of 1981 sales had really slowed down, mainly due to the lack of any kind of VCA/ADSR to handle different
envelopes. Fortunately there was enough spare space on the circuit boards to rapidly sort the problem, and the upgrade was made to all Emulators. A revised "mark 2 " Emulator with a lower
price, VCA's, and a cool software sequencer was launched at NAMM 1982 in Chicago. It went on to sell 25 units per month for the next two years. The production run was closed down in the
Fall of 1983, rather too early, because the Emulator II was late, and did not arrive for another six months. Marketing had got it wrong again . . .and E-mu Systems nearly went bust as a result. That's a different story though !!
What's in a Name The code name for this new musical instrument was the sampler. However it was Ed Rudnick that came up with a better name - Emulator
, after searching the Thesaurus. The name was a perfect match with E-mu Systems, and it has remained as the name for high quality sampling to this very day.
Voices The 2 voice model was quickly discontinued due to the
lack of customer demand. The 4 and 8 voice remained in production, although the 8 voice was the most practical.
What no VCF ? The Emulator has just a simple low pass filter on each voice with just one control - cutoff ! There is no traditional
filter envelope or Q control. So JLCooper designed a retro fit for a 24dB filter and dual ADSR envelope's. This was known as the Generator Modulator or Gen Mod. It was fitted on to the top
surface of the casing, on the right hand side of the disk tray.
Success or Failure The Emulator was a ground breaking instrument at a new lower price point. However, whilst it signalled a new and productive direction for E-mu Systems, it did not sell in
sufficient volumes to guarantee E-mu's future. This was left to the Drumulator and Emulator II, which were both based on the original Emulator, but sold in much higher numbers. The Emulator II
became the professional musicians chosen sampler for the mid - late 1980's. Whilst the Emulator I rapidly became outdated, and it is now a collectors item, rather than a practical instrument. However it still cooks !
1981 Sampling
To quote Dave Rossum and Marco Alpert from
the Emulator Operations Manual - " Most of all, use your imagination and don't be afraid to experiment. The Emulator can be very powerful tool for the creative artist. If enough people take
advantage of its capability we are going to make one hell of a lot of money."
Upgrades The Emulator had a number of hardware upgrades during its life - span. Check out the Upgrades page. more »
Famous Samples The Emulator sample library was used on many famous tracks in 1981 - 83, perhaps the most unusual is the
Mexican radio sample which was used in both the bar scene of BladeRunner the film, and forms the basis of the OMD track "Junk Culture" |
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* 8-bit Digital Sampler
* 27.7kHz sample rate 
* 4-octave keyboard
* 6002: 2 Voice [64 KB]
* Emulator I User Guide
* User Formatting